Dioscouri

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Location: Shela Village, India

Sunday, November 27, 2005

Between Things


There is usually a very real purpose, however useful or otherwise, for our doing things. There is always a stimulus for every action. Nothing we do ever happens just because. In fact, there are no ‘just becauses’ as far as our actions are concerned. If you have the patience to dig deep enough you will find a small root squirming at the bottom of every deed. The truth is, these days, you don’t even have to dig very much, everything is just below the surface; pathetically close to it actually. So there is little need to look very deep. Patience is usually where we fall short- then and now, this hasn’t changed much. But that is about actions.
Reactions are different. Quite often logic will abandon either a person or a situation or sometimes (if you are very unlucky) both and create a strange void. Little concerning absolutes, assurances or even limitation is present in such voids.
Where logic is absent much of everything becomes quite possible, reachable and attainable because the thought behind actions suddenly evaporates. There is no stimulus, no cause to do things. I suppose everything is in limbo, even people, because everything is possible. Childhood, the first days of love and the intoxication of success can most often turn everything into a crazed maze of one possibility after the next. There are days in all our lives when such overwhelming successes, especially those that come after much delay, deceive us into a trap of invincibility. And for a while everything really is possible, people really are invincible. But although invincibility may not be conquered, deception will be. That is the way of things.
The places we travel to after our invincibility fails us are alien in their sights and smells and sounds. But the sincerity of emotion that beckons us there, that comforts us after our glorious fall in those unknown places is always the same. For most, falling from grace leaves deep wounds and the feeling that comforts us there stings and heals like all good balms. It is the familiar feeling of ordinariness, of loss, of pity and pain; but mostly it is the familiar feeling of believing in abridged dreams and chances.

When Karuna fell asleep the plastic watch read 12:10. She had no idea of how tired or how late it was when she woke up. But when she did the little fluorescent colon blinked between 18 hours and 23 minutes. She began to fumble about, wanting to turn the key in the ignition but realized through her bleariness that she was already where she wanted to be. She rubbed her eyes and looked out at the thick clouds like stained, wispy cotton lowering over the supermarket parking lot and the sea beyond.
Everything was a thick dark grey, the clouds seemed to have lowered themselves far enough to seep into everything below them. The windows of her car were misty with her breath despite the small gap she had kept in the window. She wiped the side of her fist on a window, looked out and then breathed on it again. She watched her breath trickle down the window in little streams and suddenly wondered if the last ferry had left.

At about two in the afternoon Christian Mignot was in his dark room when his assistant asked him to take a call from his son Kramer’s school. Mignot, not a little annoyed at having been disturbed, took the call and found an admonishing voice inform him that Kramer’s mother had failed to pick him up and the child had been waiting for two hours but there was no sign of her. Christian asked to speak to the child but the woman just breathed into the receiver and asked him to come as soon as possible in a blunt huff. Before Christian could tell the woman of his circumstances, the state of his work, perhaps convince her of the nature of delays he was facing and the ire of magazine bosses before the fashion week and then plead with her to put Kramer in a taxi, or just drop him off herself, he heard the slow yet loud beep of a dead call.
Christian was under a lot of pressure already, he had said so to Karuna a thousand times over, and yet she left him to take care of such things. Why couldn’t she just pick the child up herself? Was that so difficult? Where was she? Christian felt somehow disabled, perhaps from the work, perhaps from the fear of losing his second lucrative commission, perhaps from guilt about the child and Karuna or perhaps because of the alcohol, he couldn’t be sure. He felt as if his fingers around the reins of everything were being slowly pried away. Not sure he could manage facing Kramer, Christian requested Michelle, his secretary, to pick him up as a final favour for the day and then shut the door of his dark room behind him.

Kramer, despite being only seven, had migraines fit for a forty-year old. It is an odd thing to see a child of seven writhing about on the back bench of a classroom full of seven year olds like a veteran alcoholic with a severe hangover. In fact, it is very distressing. His class teacher, M.elle Lassale, was petrified of Kramer when he moaned and writhed during one of his aches. Being a very devout woman, seeing so young a child in such obvious pain made her think, quite unwittingly, of very surreptitious hedonistic things. As a result she often gave little Kramer quick nervous looks from the corner of her eye. One can’t be sure what she expected to see or find missing. Perhaps she half expected a clear symptom of monstrosity in the child, perhaps a shadow or mark of some kind or perhaps she expected to find that the child had simply evaporated from amongst a classful of seven year olds.
Whatever it was that pretty M.elle Lassale expected never quite came about, thereby making her more nervous in Kramer’s presence. What came of her looks, however, was Kramer’s future at the small school right until the age of twelve. M.elle Lassale’s looks may not have yielded her the validation her pious mind sought for begrudging the young child his chronic aches, but they did chart Kramer’s journey through school. You see, although we adults tend to see little seven year olds as innocent little beings, harmless as a by-product of their innocence, in need of tutoring not only in the basics of mathematics, language and science but also in the ways of the world, we do not realise that there are some things they are quite capable of- such as very sharp observance, the best mimicry and a fantastic propensity for malice.
Whenever Kramer suffered from a migraine M.elle Lassale, an eternal sunny presence at the head of class in her curly bob of blonde hair and tweedy skirts, politely asked him to move to the back bench. Since Kramer’s aches had become quite regular since the odd disappearance of his mother (which, to M.elle Lassale’s eyes, only lent further credence to her fears) Kramer’s painful moans from the back of the class had become an almost predictable event in the class schedule. Ridiculously enough, the child was never administered a pain-killer. In fact, Kramer’s migraines plagued him until the age of forty, when they abruptly, and ironically, stopped.
Following M.elle Lassale’s example, the children too had become unnecessarily fearful of Kramer, headache or no headache. Their behaviour only proves what we loathe and know best about ourselves. There are few moments during our lives when our vociferous claims of being individuals are discounted more ridiculously than when we follow each other’s leads and turn into sheep. It only shows that as we learn this at so young an age, we almost cannot help but make it a way of life, almost. There are fewer moments when individuals feel better about themselves and their beliefs than when they are part of a large herd, and especially when the herd loves or loathes something as a collective.
And the herd of seven year olds loathed Kramer. They would shuffle around him, whisper through sly smiles, hiss through their milk teeth. They even made a game of it- they would challenge each other to poke him in the back and run before he could hit the culprit. When Kramer moved to the back of the class, the ones sitting nearest to the back bench would move away very obviously. A while later when they learnt how to tut, they would accompany their shuffling away with odd clacking and tutting, like little hens.
In a sense this was quite comedic. You may think that it is terrible to think of little Kramer’s suffering as a comedy, but a comedy it was, not despite the child but because of him. See, that is the thing about Kramer. Even at age seven what set him apart most from the other children wasn’t just the fact that he was the illicit prodigal son of a fashion photographer and model, or that he could speak three languages fluently while the rest struggled with one, or that he had strange black hair that poked out of his scalp like the end of a broomstick, or that he suffered violent migraines fit for a forty year old, but that he could see what a tremendous joke it was. At age seven, Kramer had a mind, but what’s more, he retained it through everything.

Kramer had recovered almost completely from his migraine when he saw Michelle, his father’s secretary, in the school foyer. Michelle, like most people within and on the periphery of Kramer’s small world, was beautiful. While Kramer waited in the school office he saw her walk into the foyer and make enquiries. Michelle was tall and had very long brown hair which she often wore loose. She had a long face and most prominent on it were very thick eyebrows over very thin eyes and big red lips. On that day, she was dressed in a yellow shirt, long black trousers and a black jacket. She wore a thick red bangle, like she had cored an apple and worn it around her wrist.
This was Kramer’s first active memory. Of course, there were singular disjointed images in his head that dated before this memory of Michelle, but this, the image of beautiful, tall, yellow black red Michelle waiting in the school foyer was the first memory Kramer could recall in all its subdued vibrancy.
Kramer joked later that having this as his first memory left bitter sweet tastes on the state of his conscience. On the one hand, he found the idea of having beautiful, tall, yellow black red Michelle as his first memory not a little exotic and just a little erotic; on the other, having Michelle load the film roll in his brain, so to speak, meant that Kramer remembered close to nothing of his mother. He told a friend once that he sometimes felt relief at not having his parents shape his early memories, since most of his memories after the one with Michelle involved other beautiful people, cameras, some animals and very bright lights. Kramer explained that he felt he had thus been unburdened from that which makes most of us wild and unstable with things like love, sex and ageing- the shadows of our parents imprinted on the images of our constant memory.
From the slats of the office door Kramer looked at Michelle talk to the woman at the foyer desk and then make her way toward him. The foyer and office had a glass roof and it being an early summer day, Michelle walked in the warm light towards the office door made of blue slats. She couldn’t see him of course and perhaps this only sweetened Kramer’s first memory further. Kramer and Michelle walked through the Parisian streets. They walked past warm scented cafés, a busker playing an old violin, a tabac where Michelle left Kramer at the door and later emerged with newspapers under her arm and a cigarette between her lips. Kramer didn’t remember asking Michelle about his mother during that walk, neither like most other times, did he feel any faint premonition of any unsettling happening moving closer to him. It was just a beautiful early summer day scented with peppermint, cigarette smoke and barbecues that played itself out like the first, gentle strains of a long, tumultuous, beautiful music as it walked the streets of Paris clutching the finger of a woman called Michelle.

Sunday, November 13, 2005

Exceptional Challenges (For Nadia)

I lie here
with little between me and the earth,
trod upon kicked stamped shoved ravaged,
pock-marked with the force of will of a single man.
Only dents now
where I had nursed small reserves of intelligence and beauty.
With the static buzz of flies I somehow sense
that he has succeeded
finally
in emptying me of all that I was worth.

Petrified of hope, possibilities,
having been deprived of any for so long,
I atrophy beneath my hood, my shroud,
invisible and black as coal.

I pray for someone, someday to discover
better worth in this black black coal
and cry a few tears for the exceptional challenges
that turned me into my present state.

Saturday, November 12, 2005

Exposure

Since I've only been tending to this site for a bit now, here's another one of my immigrant comments- "This feels like exposing myself to strangers."
Well, it is a bit like flashing, you know? Although my comment is mighty presumptuous on several counts. 'People' trawling through my ramblings seems quite unlikely. And the chance that some poor lost soul may stumble across this site is also anorexically slim.
But as Ralph Waldo Emerson said, "He who writes to himself writes to an eternal public." And I've decided to take that literally.
Nevertheless, to the one who happens to be reading this
1. Thank you.
2. I'm enjoying my bit of exposure- don't mind the wrinkly bits.

Tuesday, November 08, 2005

styrofoam

skin awash with halogen sunshine
bobbing, light as styrofoam particle
upon a cushion of deep deep ruby red
and head full of fortuitous apparitions

Monday, November 07, 2005

Peepshow

A Lady, must not swear and may never shirk
but is allowed gossip and a haughty smirk,
shyly solicit then refuse the advances of many
and always buoy, corset-laced, in fine company,
but most of all, must with consummate ease
excel at being a delicious little tease.

Sunday, November 06, 2005

Pointless Acronyms

I don't have a problem with acronyms, I just have a problem with the ones that have no utility and try to be cute. Spell it out for God sake! A short list of irritants:
AFAIK: As far as I know (clearly not much about good English)

ROFL: Roll on floor laughing (I almost did the first time I read it)

IMHO: In my honest opinion (what a waste of capitals)

FYI: For your information (I stop reading sentences that come after FYI, the acronym supplies enough information)

F3I: Everyone (?? Major question marks after this one)

More, as and when...

Paean: Sunday

Semicolons are what weekends are all about, short suspension of the madness of the week.
It means late Saturday nights spent watching popcorn TV, drowsy Sunday mornings hesitant to begin, tea going cold and acres of newspaper colums, late lunch and skipping the shower, afternoon delight, half dazed siestas prickling with the noon heat, remnants of the customary Sunday-afternoon-psychadelic-dream drowned in more tea, soul music trailing with welcome footsteps over the air, sunset breeze and another cup of tea, a silenced phone line and little talk, cluttered coffeetable and lonely scrabble, acidity and the Sunday night blues.

In Hiding

I find it a little disturbing-
that I hide in public places
peopled by my own people,
who (ha!)
claim to know me,
and I, them;
and find solace
in the white gaps
between black words
which, opening and closing,
are most like me-
but I find it a little disturbing
only when I think about it.

How to...finish

There is something very reassuring about sharing bad habits.

http://www.guardian.co.uk/weekend/story/0,3605,1607567,00.html

Watch me

I have no urges
to be observed
as I skim over
the plate glass days
and take a dip in the
punch hole nights
because nothing
ever varies.

But I only wish
for you to watch me
step over the close margins
of unvarying nights and days,
place a coy foot somewhere
it isn't meant to go that day
or slide a quick look at things
that were hitherto cloaked
or simply skid and fall flat,
that is new too.

I only want a testimony
to the moments in shrill neon
against the backdrop of
punch hole nights and
plate glass days.

Form-sitting

Witnessed today:
The front pavilion of a reputed (read: expensive and pretentious) Bangalore school lined with an endless row of chairs. Half of the chairs were warmed by the posh posteriors of CEO-types, flashy housewives and the laptop variety; the other half filled by peon types, uniformed, no jhatak-matak. Pretty odd crowd.

Apparently the poor souls were caught in the latest parental trap- form sitting.
Two weeks before the school begins selling admission forms for pre-school and first year, parents are allowed to queue to, ahem, facilitate orderly conduct. (There are probably two times in a child’s school-life that the parental claws are truly drawn- admissions day and the day of 10th standard results.)

Two weeks is a bit much, but to anyone who has been through the grind of school admissions, this would make sense, albeit in a roundabout way. Plus, I thought, quite nice of the school to provide chairs, na?
Not quite. I discovered there’s actually a contractor who ‘rents’ chairs out for Rs.30 per day, and Rs.50 per night! (Opportunities to make a fast buck crop up in such strange places!) Apparently, parents sit through the day and usually send home-help or an office peon to ‘guard’ the chair at night lest someone grab their precious place in the rather preposterous queue.

All this for a single form, for a kid who is probably no older than five and absolutely clueless about the crap her/his parents are willingly putting themselves through- all for the sake of ten-twelve years spent learning things s/he won’t need to know at a substandard institution enforcing a positively archaic method of “learning”.
I try not to feel sorry for people, but this time I couldn’t help but wonder who to pity more- the kid, the parents or the home help/ office peon.

Summer days

Innocent summer days-
thyme and lavender scented
plump with young glory
churned about cycle spokes
spinning giddy on warm asphalt-
never know what they hurtle towards.

Stitch

Gulf
cooled by conditioned air,
chills gradually, silently between us.

We think of
old friendships, commonalities
that are not so common any more;

sepia seeped memories
that are too far gone
too stale
for regurgitation;

old jokes
the rings of laughter around which
have rippled away to
the edges;

other musty things
that have been packed away
or opened too often
and now
cannot be retrieved.

Perhaps, it is our
former closeness
that make the edges
of this gulf
steep.

Then,
silence abridged-
bridged over-
by the single stitch
of new words.

Saturday, November 05, 2005

Immigrant

Blogosphere is fun!

"what an immigrant comment."

But I just got here.
Its good to be here.

Ithaka

Every so often, we forget that we are all pilgrims. Our feet might tread different paths, our tongues may speak different words, our Gods may look different; but from beginning until end, it is but one pilgrimage.

Here's a wonderful poem to remind us to enjoy the pilgrimage, the journey. A poem about courage, patience, the spiritual and materialistic joys of life, knowledge, experience, hardship and the eternal reward. If ever a poem was generous, Ithaka is it. Learn from it what you will, it has much to teach.

Ithaka

Constantine Petrou Cavafy (1894)


As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon-don't be afraid of them:
you'll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon-you won't encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you're seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind-
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you're destined for.
But don't hurry the journey at all.
Better if it lasts for years,
so you're old by the time you reach the island,
wealthy with all you've gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won't have fooled you.
Wise as you will have become, so full of experience,
you'll have understood by then what these Ithakas mean.

Dioscouri

I have tried, in vain, to be a part of the blogosphere for many months now. Something just didn’t work. Perhaps the problem was that I was writing for others. Pretence really isn’t my cup of tea. And yet, I found myself writing things that I didn’t really want to say, that I couldn’t hear coming from my mouth or being a product of my thoughts. And yet there I was trying to write intelligently, wittily, funnily, overusing my thesaurus. It was all too fake. I suppose pretence really isn’t my cup of tea.

I begin Dioscouri with the particularly narcissistic intention of airing my thoughts for myself and for the express purpose of preserving my (in)sanity.
Reason enough, right?

Dioscouri (also spelt Dioscuri) is the name given to the celestial brothers- Castor and Pollux. Sons of Leda and Zeus, they signify all that is one and yet varied in nature. Sophistication and naivety, crudity and gentility, privilege and the common touch.

I find myself relating to the Dioscouri complex everyday. Its just some innate relation you have with a word, you know? You might never have heard it, but when you read it or hear it for the first time, you can’t help but feel it slide neatly into the jig saw. I had that with Dioscouri.
It just fit.

I don’t quite know what to attribute my duality to. Like all things, I suppose it’s a shoot of many roots. I quite enjoy it, to be very honest. I like contradictions. They seem to fit into the life I am leading. There are contradictions all around, it is only inevitable that I feel them seeping inside me all the while.

What is it about contradictions? I find something intoxicating, near powerful, about the unpredictability that they supply. The feeling of not subscribing to a single set of values, ideas, emotions, beliefs; but instead allowing myself the freedom to be the person I want to be, the moment I want to be gives me such a kick…

A couple of years ago, I fixed my boundaries. And for most part, I stayed within them. And so long as there was a sense of security and stability in my life, I loved those boundaries. I loved the matching sense of solidity that they seemed to provide. Every thing was just…in order. Everything worked by the rules.

But the thing is, so little is predictable! That’s where another word I love deeply, truthfully- transience - comes in. The rule of everything is to change. And stability soon shifted to temporariness. Suddenly, every experience, every relationship had turned impermanent. The boundaries of most things suddenly became very nebulous.

Perhaps this doesn’t sound like much, but to someone who, for a while, thrived on the predictability of set emotions, a pattern to pretty much everything, this was…well, devastating.
Suddenly, there was little to be said to trusted friends, the air and the seasons were different, so were attitudes and perceptions- suddenly someone had shaken the toy snow-globe and given it a very rough shake. The snow flakes were flying with wild abandon and they just refused to settle.

When I tried to apply my old rules to this new situation- suddenly everything was malfunctioning. My rules didn’t work! But how could that be? Everything worked by my rules- how could that change so suddenly?
Every experience was adamant about being so different from anything I had felt earlier. And my rules just didn’t apply. I struggled for a long while, trying obdurately to throw the switch back to predictability, to set patterns and emotions.

That was when I discovered transience. And it was a perfect fit. Somewhere that single word built a complete bridge from my old world to my new. It bridged change with stability, patterns with havoc and sense with nonsense. That word connected so many broken, jagged ends, it finally made a whole.

When I finally allowed myself to let go of the old rules, old boundaries- more and more things suddenly began to make sense. Other people, the way the world works, relationships, principles- and most thankfully, I began to make sense to myself. I suppose I just allowed myself some room to go with everything, to grow with everything, to change with everything. I began to understand myself only after I allowed the transience to creep inside me.

I suppose that is precisely why pretence isn’t my cup of tea. Like the boundaries of everything else, I like my boundaries to be nebulous, ambiguous. Pretence would mean forgoing the sense of freedom I get from being an individual created by disconnected moments. Pretence would mean reverting to the world of trying to be one thing, to limits and rules that govern everything.
And what’s fun about that?

And that is exactly why the Dioscouri complex makes so much sense to me. The duality of Castor and Pollux. Sophistication and naivety, crudity and gentility, privilege and the common touch.
I am chai ki tapri and coffee bar, salad and dabeli, naivety and maturity, crisp mountain air and salty chowpatty breeze, generous and unforgiving, principles and amorality, prudishness and innuendo, writer and writer’s cramp, Gogol and Manga, intellect and premature senility, assurance and insecurity.

I am all of this and yet, I am nothing. For if I allowed my contradictions to be the sum of all that I am then there would be no room for transience.
So,
I’ll just let myself be.
Castor one moment.
Pollux the next.
And blank canvas beyond.